Kinlochleven High School Music Department

This page prints better in landscape format! Last updated 3 March 2011 (refresh for more random photos).

While we're working on a whole S1–2 site section (like S3–6 Course) to reflect developments for the new Curriculum for Excellence, this single-page summary and new (September 2010) 'Musical Words' list should hopefully still be quite useful in the meantime.

Department/Course Aims

Photo: Junk Music, December 2008

« Junk Music, December 2008 »

To encompass the aims of the school — and those of the curriculum — in departmental policy and work.

To provide all pupils with the opportunity to:

To operate a policy of equal opportunity, regardless of race, gender or ability.

Music Department Rules

No doubt we can find a better place than this for the Rules but, since they were written down (having been more-or-less understood for years) for the new S1 in June 2009, S1–2 Course seems good enough for now. They're common sense really, and try to say do rather than don't (we prefer encouragement to restriction!), but some don'ts are unfortunately still necessary...

Please knock on the door if you arrive for your lesson and you can't see the teacher. Don't just stand there!

Because the Music Department is full of expensive and delicate equipment, please:

Learn where to find things, get them out when you need them and put them back when you're finished with them. But don't touch anything you haven't been told you can use.

Remember that Music is a noisy subject, so only make necessary noise! :-)

S1–2 Music Course

Photo: Composing Matters, March 2011

« Composing Matters, March 2011 »

Some things seem to need constant adaptation to meet changing needs, and our S1–2 Course is one of them! Historically, we had one period per week for each S1–2 class, then gained a second period for S2 over several years. A second period for S1 followed from Session 2007–8, but subsequent timetabling constraints resulted in our 2009–10 S2 being allocated three periods on an on-off rota basis (still the current system) effectively equivalent to one-and-a-half periods per week year round. So what we can get done varies from year to year, but what we're trying to achieve over the two-year span remains similar if increasingly ambitious and subject to further review for Curriculum for Excellence:

Overall, we hope that whatever variation of the above content we manage to achieve serves as both fulfilling experience for those subsequently choosing other subjects and thorough starter (not forgetting that the whole national course structure is scheduled for change again!) for those continuing with Music in S3 and beyond.

Full List of Access 3 Listening Concepts

Compositional Techniques Contexts
Melodic Harmonic Rhythmic Structural Timbre Styles/Forms
  • Ascending
  • Descending
  • Stepwise, Leaping
  • Broken Chord
  • Repetition
  • Sequence
  • Phrase
  • Question, Answer
  • Chord
  • Chord change
  • Discord
  • Repetition
  • Faster, Slower
  • Pause
  • Accented
  • Beat/Pulse
  • Simple Time: 2/3/4 Beats in the bar
  • On the beat, Off the beat
  • Pattern
  • Drum fill
  • Scotch snap
  • Single line
  • Unison/Octave
  • Harmony
  • Solo
  • Ensemble
  • Ostinato/Riff
  • Round
  • Accompanied
  • Unaccompanied
  • Repetition, Contrast
  • Section
  • Sound/Silence
  • Louder/Softer
  • Sustained, Staccato, Legato
  • Striking, Blowing, Bowing, Strumming, Plucking, Slapping
  • Orchestra: Woodwind, Brass, Strings, Percussion
  • Bands: Brass, Pipe, Rock, Steel, Scottish Dance, Wind/Military
  • Groups: Folk, Pop, Jazz
  • Instruments: Electric Guitars, Acoustic Guitar
    Drumkit
    Keyboards: Piano, Organ, Synthesiser
    Accordion, Fiddle, Pipes
  • Voice, Vocal, Choral, Lead vocals, Backing vocals
  • Baroque
  • Jazz
  • Rock
  • Pop
  • Scottish
  • March
  • Strathspey
  • Reel
  • Waltz
  • Latin American

Remember that we might also be looking at selected concepts from the Intermediate lists (which you can find on our S3–6 SQA Listening page). You might also find the online resources listed on our S3–6 Further Support page helpful for learning and revising concepts.

Intermediate 1 Literacy Content

Melodic Harmonic Rhythmic Timbre
  • Treble Clef Stave: C – A'
  • Notation of Repetitions and Sequences
 
  • Semibreve, Dotted Minim, Minim, Crotchet, Paired Quavers
  • Barlines
  • Double Barlines
  • Repeat Signs
  • 2/4, 3/4, 4/4
  • Accelerando, Rallentando
  • Allegro, Andante, Adagio
  • f Forte p Piano
  • Crescendo, Diminuendo

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