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Intermediate Listening Topics/Course Plan

Some of these things should already be revision since we're working towards covering all Access 3 concepts + selected Int 1/2 concepts by the end of S2.

KHS i1: Basics (not a topic as such, but a starting point for discussion)

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Ascending Descending Stepwise, Leaping Phrase Question, Answer	Chord Discord	Faster, Slower Beat/pulse Simple Time: 2/3/4 Beats in the bar On the beat, Off the beat	Single line Solo Round Accompanied Unaccompanied	Sound/Silence Louder/Softer Striking, Blowing, Bowing, Strumming, Plucking, Slapping Orchestra: Woodwind, Brass, Strings, Percussion
				Individual instruments: Orchestra	Improvisation

Please note that the Intermediate Listening Concepts have been arranged into topics for teaching purposes in this school only. Many of the concepts apply to a range of musical styles, so a concept's appearance in one topic does not necessarily mean that it is specific to that topic. And some concepts not introduced until later topics could equally well apply to earlier ones, but you can't learn it all at once!

For the official list (not divided into course topics), see SQA Listening Concepts.

KHS i2: From Blues to Pop

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Repetition	Chord change	Repetition Pattern Drum fill	Harmony Ostinato/Riff Repetition, Contrast Section	Bands: Rock Groups: Pop Instruments: Electric Guitars, Acoustic Guitar Drumkit Keyboards: Piano, Organ, Synthesiser Voice, Vocal, Lead vocals, Backing vocals	Rock Pop
Scat singing	Chord Progressions using I, IV, V in Major Tonality: Major, Minor	Syncopation	Chords Walking Bass Middle 8	Effects: Bending, Rolls, Distortion, Reverb, Delay Electronic drums	Blues
Blues scale	Chord Progressions using I, IV, V, VI in Major and Minor Keys			12-string guitar Slide guitar Fretless bass guitar	Boogie-woogie Soul Country

Remember that many of the concepts apply to a range of musical styles.

KHS i3: Scotland

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Sequence		Accented Scotch snap		Bands: Pipe, Scottish Dance Groups: Folk Instruments: Accordion, Fiddle, Pipes	Scottish March Strathspey Reel Waltz
Ornament Scales: Pentatonic	Vamp Drone	Down beat, Up beat Anacrusis Compound time	Binary, Ternary AB, ABA, AABA	Individual Instruments: Folk, Scottish Ceilidh Band	Gaelic Psalms Scots ballad Bothy ballad Waulking song Mouth music Slow air Jig
Grace note		Groupings in Simple and Compound time Triplets Dotted Rhythms	Strophic		Pibroch

Check out Learning and Teaching Scotland's Scottish music modules at http://www.ltscotland.org.uk/nq/resources/musicofscotland/ and note Int 1 'set works' (Scottish Music) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

KHS i4a: Forms, Styles and Techniques (Access 3/Intermediate 1)

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Broken chord	Chord Change	Pause	Harmony Unison/Octave Ensemble	Sustained, Staccato, Legato Choral	Baroque
Theme Variation Imitation Scales: Major, Minor, Chromatic Semitone, tone	Chord Progressions using I, IV, V in Major Change of key	Speed Change: Accelerando, Rallentando, Rubato	Chords Arpeggio Descant Contrary Motion Canon Minuet and Trio Rondo Theme and Variations Programme	Crescendo, Diminuendo Individual Instruments: Keyboard, String Recorders Voices: Soprano, Alto, Tenor, Bass Chamber Music	Romantic Opera Musical Fanfare Concerto Symphony

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

KHS i4b: Forms, Styles and Techniques (Intermediate 2)

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Modulating Relative major Relative minor Trill Syllabic word setting Melismatic word setting Word painting Interval	Chord Progressions using I, IV, V, VI in Major and Minor Keys Modulation Modulation to Relative Minor Perfect Cadence Imperfect Cadence Tierce de Picardie Suspension Passing note Interval Consonance, Dissonance		Pedal Inverted Pedal Ground Bass Alberti Bass Homophony Polyphony Contrapuntal Obbligato Countermelody Through-composed Coda Cadenza	Voices: Mezzo-Soprano, Countertenor, Baritone Muted/Con sordino Glissando Double stopping Arco Pizzicato Col legno Tremolando/tremolo Vibrato A capella Register	Classical Scherzo Cantata Oratorio Passion Chorale Hymn tune Recitative Aria Chorus

Note Int 2 'set works' by Bernstein (Suite from West Side Story) and Beethoven (Scherzo and Trio from String Quartet in F) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

KHS i5: Introduction to World Music

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
		Repetition Pattern		Bands: Steel	Latin American
Ornament	Drone	Syncopation		Pan pipes Ghanaian drum ensemble Gamelan Latin percussion ensemble	Ghanaian Indonesian gamelan Improvisation Samba Salsa
		Cross rhythms		Sitar Tabla	Indian

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

KHS i6: Impressionism and Beyond (new concepts at Intermediate 1/2 only)

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
	Discord
Scales: Pentatonic, Chromatic Semitone, tone			Cluster Programme
Tonal Atonal Whole-tone scale	Consonance Dissonance			Flutter tonguing	Impressionist Minimalist Aleatoric

Note Int 1 'set work' by Rouse (Ogoun Badagris) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

KHS i7: Introduction to Jazz

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
			Solo Riff Repetition, Contrast Section	Bands: Brass, Wind/Military Groups: Jazz	Jazz
Scat singing		Syncopation	Walking Bass Middle 8		Blues Ragtime Swing Improvisation
Blues scale			Polyphony	Glissando Pizzicato	Dixieland

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

Higher Listening Topics/Course Plan

KHS h1: The Renaissance Period

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Mode		Augmentation Diminution	Antiphonal	Consort	Renaissance Pavan & Galliard Plainchant Mass Motet Madrigal Anthem Air Chant Ballett

Please note that the Higher Listening Concepts have been arranged into topics for teaching purposes in this school only. Many of the concepts apply to a range of musical styles, so a concept's appearance in one topic does not necessarily mean that it is specific to that topic. And some concepts not introduced until later topics could equally well apply to earlier ones, but you can't learn it all at once!

For the official list (not divided into course topics), see SQA Listening Concepts.

KHS h2: The Baroque Period

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Appoggiatura Turn Mordent	Plagal cadence Interrupted cadence	Hemiola	Episode Exposition Subject Countersubject Basso continuo Inversion Tonal answer Real answer Stretto Ritornello	Ripieno, Concertino	Suite Concerto grosso Chorale prelude Chaconne, Passacaglia Fugue Da capo aria

Note Higher 'set work' by Bach ('In dulci jubilo' from Orgelbuchlein) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

KHS h3: The Classical Period

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Harmonic and Melodic minor Acciaccatura	Dominant 7th Diminished chord Diminished 7th	Three against two	Exposition Subject Transition Bridge Sonata form		Overture Sonata

Note Higher 'set work' by Mozart ('Poco adagio' from Symphony No 36 Linz) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.

KHS h4: The Romantic Period

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
	Augmented chord Added 6th		Leitmotiv	Harmonics Coloratura	Nationalist Late Romantic Lied, Song cycle Symphonic/Tone poem

Note Advanced Higher 'set work' by Verdi (Finale from Falstaff) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

KHS h5: The Twentieth Century

Compositional Techniques				Contexts
Melodic	Harmonic	Rhythmic	Structural	Timbre	Styles/Forms
Microtone Tritone Tone row	Polytonality	Time changes Pulse and Beat Irregular metres	Inversion Retrograde	Sprechgesang	Serial Neo-classical Jazz-funk Musique concrète

Note Higher/Advanced Higher 'set works' by Webern ('Sehr schnell' from Variations for Piano), Stravinsky ('Sanctus' from Mass) and Rachmaninov (Rhapsody on a Theme of Paganini) from LTS MUSICWORKS DVD 1.

Remember that many of the concepts apply to a range of musical styles.

Some key concepts for revision are shown in italics.